The Shining was one of the first films to extensively use the Steadicam. This allowed Kubrick to follow Danny’s tricycle through the winding, carpeted halls of the Overlook, creating a sense of fluid, relentless dread.

The use of vibrant, "Apollo 11" oranges and deep reds creates a visual language that contrasts with the traditional dark, shadowy tropes of horror.

Even when viewed in standard resolutions like 480p, Kubrick's meticulous attention to detail and framing is unmistakable.