plays Stanislas Lefort, a high-strung, arrogant conductor of the Paris Opera.
It manages to be a slapstick comedy, a wartime adventure, and a touching story of solidarity all at once.
Watching this in highlights the genius of de Funès' physical comedy. Every twitch of his nose and bugging of his eyes is captured with a clarity that the original grainier broadcasts lacked. A Production of Epic Proportions La Grande Vadrouille -1966--Louis de Funes-1080...
La Grande Vadrouille (1966): The Definitive High-Definition Comedy Masterpiece
The "odd couple" trope is perfected here. In La Grande Vadrouille , they are forced together when three British paratroopers are shot down over occupied Paris. The conductor and the painter must overcome their class differences and mutual annoyance to smuggle the airmen into the "Free Zone" of Vichy France. plays Stanislas Lefort, a high-strung, arrogant conductor of
plays Augustin Bouvet, a gentle, humble house painter.
Unlike many comedies of the 60s that relied on studio sets, Gérard Oury insisted on a grand scale. La Grande Vadrouille was one of the most expensive French films ever made at the time. The film features: Every twitch of his nose and bugging of
When you see the string you aren’t just looking at a file name or a search query; you are looking at the DNA of the most successful French film of the 20th century. Released in 1966 and directed by Gérard Oury, La Grande Vadrouille (literally "The Great Stroll," but often titled Don't Look Now... We're Being Shot At! in English) remains a monumental achievement in world cinema.