Brauer Neue Font -

Designers Marco Walser and Philippe Desarzens of Elektrosmog revived the typography for an arts festival hosted on the former Hürlimann brewery grounds. With Pierre Miedinger’s permission, they digitized and extended the minimal set of characters into a robust headline font.

For brands looking for a clean, neutral, yet distinctive aesthetic, LL Brauer serves as an excellent alternative to overused fonts like Helvetica or Futura. Brauer - Lineto.com

The typeface was saved from obscurity by the Swiss design studio . brauer neue font

While often compared to Trade Gothic Condensed or other mid-century grotesques, Brauer Neue has several distinct traits:

After some formal polishing and additions, the complete family was officially published by the Lineto Type Foundry with six weights. 📐 Key Visual Characteristics Designers Marco Walser and Philippe Desarzens of Elektrosmog

In magazines and newspapers, its variety of weights (from Thin to Extra Black) allows designers to establish a strong, distinct typographic hierarchy. 4. Brand Identity Systems

It has a narrow width, making it highly efficient for layouts where horizontal space is limited, such as headlines, posters, and web navigation. Brauer - Lineto

[1974] Original ink drawings by Pierre Miedinger (Brauerei Hürlimann) │ ▼ [1999] Digitized & extended into a headline font by Elektrosmog (Marco Walser & Philippe Desarzens) │ ▼ [2006] Expanded with lighter weights and italics for the Lineto foundry │ ▼ [2019] Re-released as LL Brauer with 6 weights (Thin to Extra Black)

For brands looking for a clean, neutral, yet distinctive aesthetic, LL Brauer serves as an excellent alternative to overused fonts like Helvetica or Futura. Brauer - Lineto.com

The typeface was saved from obscurity by the Swiss design studio .

While often compared to Trade Gothic Condensed or other mid-century grotesques, Brauer Neue has several distinct traits:

After some formal polishing and additions, the complete family was officially published by the Lineto Type Foundry with six weights. 📐 Key Visual Characteristics

In magazines and newspapers, its variety of weights (from Thin to Extra Black) allows designers to establish a strong, distinct typographic hierarchy. 4. Brand Identity Systems

It has a narrow width, making it highly efficient for layouts where horizontal space is limited, such as headlines, posters, and web navigation.